The seeming-landscape photography of Yamamoto Masao’s new body of work at Jackson Fine Art presents an obvious parallel. Landscape photography proceeds from reality to a miniature view of it, limited and composed by the photographer’s eye and created through a well-defined process to be seen. Yamamoto’s Bonsai — Microcosms Macrocosms, on view through June 29, is…
Born in 1943, Walter Iooss has only ever had one job: sports photographer. For nearly 60 years he has worked the sidelines, endzones, fairways, ringsides and dugouts, capturing some of the most well-known and evocative images of our sporting life. A small number of his baseball images are presented in Emory University’s Michael C. Carlos…
The High Museum of Atlanta commissioned local choreographer Lauri Stallings of gloatl to create movement pieces (“activations” — not dance) for installations to accompany New York artist Daniel Arsham’s Hourglass (through May 21). The choreography composed for two of the three room-filling works is a seamless interaction, rather than an overlay of dance atop space. Or, more accurately, the two dancers and the artwork exist in the same world.
Legendary and influential musician Hans-Joachim Roedelius performs at Mammal Gallery on Monday, March 27 at 7 p.m. Roedelius is best known for cofounding (with Dieter Moebius) Cluster, and for that duo’s three records with Brian Eno in the early 1970s, but his influence goes wider and deeper as part of the explosively creative German music scene of…
Bent Frequency’s January 20th program, Sound Worlds: the Sonification of the Japanese Garden, presented four works representing “music informed and inspired by the design elements, proportions, and aesthetics of the Japanese Garden.”.
This is what modern Tibetans look like,” Gonkar Gyatso says about Family Album, his exhibition of photographs at the Michael C. Carlos Museum at Emory University. This is a series formal portraits (posed figures with white backgrounds, made in collaboration with photographer Zhadui) of the artist’s family in various modes of dress, both standard prints and a roomful of life-and-near-life-sized cutout figures, all intended to portray the different ways Tibetans live.
An idealized view of artistic motivation sees an individual driven by thoughts of immortality: works are created in the belief or hope that they will give their creator a life after death, cheating the materiality and physical labor of which they are made.
A culture remembers what it values, and vice versa. An exhibition of materials from the Billops-Hatch Collection — Still Raising Hell: The Art, Activism, and Archives of Camille Billops and James V. Hatch — on view in the Robert W. Woodruff Library at Emory, from September 15, 2016 through May 14, 2017, explores two individuals’…
Kraftwerk, one of the most important and innovative musical groups of the past half century, played a sonically and visually stunning set to a sold-out crowd at the Cobb Energy Centre on Tuesday night. The joining of their iconic, minimal, cool, controlled dance-friendly songs with four exactly dressed, barely moving musicians and 3D visuals is…
Despite the prevalence of slave elements and nineteenth century aesthetic, the work Olufani presents is as much about present identity and memory as slavery itself.
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