When a thing is over, Atlanta audiences can be crazy-quick to jump up and bestow a standing ovation on a cast (or orchestra or singer or what-have-you).
It’d...
An old, mad leader, full of pomp and arrogance regarding his own greatness, bestows entirely too much power on his lying, power-hungry children, and the world f...
Kenny Leon might have left True Colors, the Atlanta theater company bearing his name, but in typical fashion, the Tony Award-winning director remains as product...
As part of our ongoing 20 by 2020 series profiling Atlanta theater artists, we occasionally look at theater through the eyes of the photographer. This is anothe...
Black Politics Act One, featuring new work from Afro-French painter Frank Schroeder, opens Friday at September Gray Fine Art Gallery. These paintings, being see...
Suzi Bass Award voters this year liked cake and the Bard, the drama of boxing and a quirky little musical about high-school choristers who suffer an uncerta...
Every season, American Theatre magazine, a national trade publication, crunches the numbers to determine the most-produced plays and playwrights of the year. We...
A hair-triggered talkfest, Christopher Demos-Brown’s American Son attempts to shoot an intimate X-ray on the race-riven body of our nation, particularly the per...
