Die Körper (meaning “the bodies”), the newest evening-length work by choreographer Jillian Mitchell and her company Kit Modus, is not so much a…
Robin Wharton
I hope we never Land, a new contemporary dance work by Emma Morris, mines for lost treasure in the green wilds and on…
Robin Wharton
EDITOR’S NOTE: We’re looking back on 2025 with reprints of some of the best stories of the year. In Robin Wharton’s review: ‘Siddhartha,…
Robin Wharton
On November 6, the 2025 Cirque du Soleil performance season in Atlanta officially opened at Atlantic Station. The crowd buzzed with excitement as…
Isadora Pennington
It was an afternoon of glitz and glam, of high fashion and high spirits. On Monday, October 20, 2025, the ballroom at the…
Isadora Pennington
“It’s the in-between space of teeth and grit, like that moment when your pulse is racing just before you say something you’ve been…
Robin Wharton
“[Y]ou think you’re dying. But you’re not,” begins Ben Kassoy’s poem “The Funny Thing About a Panic Attack.” His one-man show of the…
Robin Wharton
As it has for the past five years, the Kennesaw State University Department of Dance opened its 2025-26 event programming with Double Exposure,…
Robin Wharton
Re Edahl and Cal O’Brien, the co-artists of Minneapolis-and-Atlanta-based performance company Loom Lab, first met at a party in Minneapolis in 2017. According…
Robin Wharton
At the Atlanta African Dance & Drum Festival, the steady beat of the drums and the grounded movements of the dancers speak a…
Tyra Douyon
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