Reviews
THE LATEST
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Leia’s Long Look: Trapped in the interstitial by Kathryn Kampovsky’s ‘The Fade’
Leia’s Long Look is a new monthly column providing focused looks at individual artworks, prompting slow looking and deeper reflections. This month, Leia…
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High Museum’s ‘Paper Trees’ reveals the extraordinary behind nature’s ordinary
A tree may be one of the first things a child learns to draw, but it is also one of the most difficult…
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Leia’s Long Look: Delving into Calida Rawles’ ‘Away with the Tides’
Leia’s Long Look is a new monthly column providing focused looks at individual artworks, prompting slow looking and deeper reflections. This month, Leia…
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There’s one week left to see ‘Double Take,’ four shows in one at Spalding Nix Fine Art
When talking to Spalding Nix about Double Take, one word kept resurfacing: conversation. Double Take, showing at Spalding Nix Fine Art Gallery in…
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More than the room allows: Lisa Tuttle’s ‘Paper Quilts and Stories’ at Gallery 100
Lisa Tuttle’s Paper Quilts and Stories at Gallery 100 presents 13 mixed-media works that are quilts in both name and method. For the…
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Memento Gallery and Alday Hunken Gallery team up for new partnership
Two local galleries, Memento Gallery and Alday Hunken Gallery, are entering into a partnership to share both a physical space and curatorial vision.…
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At Mason Fine Art, artists from disparate generations confront an ongoing struggle for Civil Rights in America
Legendary photographer and cinematographer John Simmons is the central focus of the exhibition It Started in the 60s, now on view at Mason…
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An ambitious push for human rights: ‘This Is Now’ at the Goat Farm
This Is Now, a group exhibition currently on view at the Goat Farm, features more than 30 artists and ambitiously brings together dozens…
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Beyond the body: Jess Self’s emotive power at the Marietta Cobb Museum of Art
Jess Self, a Decatur-based sculptor and educator whose practice draws on Jungian archetypes and spiritual traditions, explores autobiography through figurative form. In Celestial…
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Review: ‘In My Defense, I was left Unsupervised’ by Trey Dowell at Tennessee Gallery
What does it mean for a show to take itself less seriously? I said this to Trey Dowell while standing inside Tennessee Gallery,…
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