Photos by Ethan Payne
According to MediaFinder.com, the largest online database of U.S. and Canadian publications, 2008 and 2009 were hard years for the magazin...
One of the works that visitors to Lonnie Holley’s I Snuck Off the Slave Ship (at the Atlanta Contemporary through April 2) are likely to notice first is a large freestanding steel sculpture from 2016 titled The Seer. Holley writes of it in one of the text blocks that offer commentary on most of his artworks, “We are all seers one way or other…. Some of us are even foretellers and are able to see things before they happen.”...
Your ArtsATL correspondent, Doug DeLoach, in conversation with Holley over lunch. All photos by Ethan Payne.
Having eaten his fill at “Prison Taco,” the affe...
"Dream information and the seepage of dreams into reality is where a lot of my work begins," says Iman Person, an artist, sculptor and curator living within the...
It’s a murky Saturday in summer and well over 100 people are milling in and out of Cabbagetown’s “Green House,” a worn two-story home where Ethan Payne, Asher Payne and Jake Adams reside. Guests lean against the porch railing, shoulder-to-shoulder....
“I’ve been an artist my whole life, but I’ve never really needed it like I do at this point in my life,” says artist Tori Tinsley, who’s mother was diagnosed with frontotemporal dementia in 2009. Tinsley’s experiences of taking care of her mother under such strained circumstances has profoundly effected her own creative practices and work....
