Claudia Schreier is a rare creature in the ecosystem of ballet: a young, Harvard-educated, neoclassical ballet choreographer who is notable for her abstract, musical movement style that is layered with subtext. She has received prestigious commissions from the Vail Dance Festival and Dance Theatre of Harlem, and the New York Choreographic Institute along with many…
T. Lang Dance this week will inhabit the High Museum of Art with an interactive performance titled A Graveyard Duet of the Past Now. The work — an Afrofuturist montage of dance and projection mapping technology with a live audio score — aims to confront, heal and reimagine history. The High commissioned Lang, asking her…
T. Lang Dance will inhabit the High Museum this Wednesday through Friday with the interactive performance A Graveyard Duet of the Past Now. The work — an Afrofuturist montage of dance, projection mapping technology and live audio score — aims to confront, heal and reimagine history. The High commissioned Lang to create A Graveyard Duet…
Earlier this year, the Georgia Trust for Historic Preservation put the Historic Rhodes Theatre on its “Places in Peril” list. The theater was originally part of a group of three buildings, designed in 1937 by Ivey and Crook, which made up Atlanta’s first strip mall. With only the theater building remaining from this development, and…
In scientific terms, a black hole is a region of space where the gravitational pull is so strong that nothing can escape, not even light. On April 4–6, a sort of parallel cosmic phenomenon will land on the stage of the Historic Rhodes Theatre as part of Tanz Farm’s performance anthology: BLACK HOLE — Trilogy…
This past Thursday evening, Off the EDGE contemporary dance festival opened at Kennesaw State University’s Dance Theater with a savvy mixed bill that featured Atlanta’s Terminus Modern Ballet Theatre and Philadelphia’s BalletX. In a program of premieres, these two small upstart companies, which share similar genealogies, gave Atlanta audiences a taste of what is current…
On November 16, 2018, Lauri Stallings and the moving artists of glo began working with a group of grade schoolers at the Barack & Michelle Obama Academy in the Peoplestown neighborhood of Atlanta. As the students filtered into the small cinder-block studio, chatting and cartwheeling through the door, they were advised by their dance teacher…
During a recent rehearsal for Komansé Dance Theater’s Skid, artistic director and choreographer Raianna Brown exuded a calm command over the 29 cast members buzzing with energy. It was 8:00 p.m. on a Sunday evening at a Southwest Atlanta dance studio, just a few weeks out from Skid’s world premiere, January 25–26 at Georgia Tech’s…
Terminus Modern Ballet Theatre closed out its 2018 fall season last weekend with the Atlanta premiere of Translation at the Westside Cultural Arts Center. Normally in a dance review, I would ascribe the name of the show to the choreographer, but in the case of Translation, it seems narrow-minded. While Troy Schumacher’s choreography was an…
After a successful October run of the show fall-en outdoors at Serenbe, Terminus Modern Ballet Theatre’s fall season continues this Friday through Sunday with Troy Schumacher’s Translation at the Westside Cultural Arts Center. The piece is a departure for Terminus, with a sci-fi motif and the use of silhouettes and textured lighting. An Atlanta native, Schumacher studied at Atlanta Ballet’s Centre for…
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