The composer’s Fourth and Seventh hint at the epic nature of the legendary works that followed. :: The Atlanta Symphony Orchestra’s Beethoven Project…
Jordan Owen
We were treated to Anton Bruckner in all his originality and splendor — while it lasted. This weekend and next, the Atlanta Symphony…
Pierre Ruhe
There’s a saying by women’s and elder’s rights activist Maggie Kuhn that goes “speak your mind, even if your voice shakes.” Self-described “salty…
Jake Van Valkenburg
The ASO’s performance last night of Beethoven’s opera Fidelio (composed and revised between 1805–14) was a timely meditation on tyranny, love and freedom.…
Benjamin K. Wadsworth
In another installment of its two-year Beethoven and Bernstein survey, the Atlanta Symphony Orchestra’s concert last night brought together works united by concerns…
Benjamin K. Wadsworth
The ASO’s concert this weekend featured French works inspired by sights and sounds throughout the world. Darius Milhaud’s Le bœuf sur le tout…
Benjamin K. Wadsworth
The Atlanta Symphony Orchestra’s concert Thursday night was a study in extreme contrasts, both musical and emotional, with a focus on two local…
Benjamin K. Wadsworth
The Atlanta Symphony Orchestra’s concert last night focused on the city of Paris, a crucible in the early 20th century for trends such…
Benjamin K. Wadsworth
For a production that is staged with regularity around the world — with more than 850 performances last year alone — and embraced…
Jim Farmer
The Atlanta Symphony Orchestra’s concert last night featured works in which composers battled states of depression and forged masterpieces from them. Edward Elgar’s…
Benjamin K. Wadsworth
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