The birth bicentenary of British art critic John Ruskin (1819–1900) reminds me of his thoroughly debatable -- most would say outdated -- belief that increasing ...
Don Cooper’s The Tipping Point and Neutral Gray No. 6, at Sandler Hudson Gallery through March 16, is quite accurately named, for it marks a remarkable tipping ...
Chastain Arts Gallery describes the two-person I Am Both (through March 9) as being about the “ideas and themes of duality, of systems that bridge personal and ...
Without anyone planning it, several exhibitions in Atlanta museums and galleries address the continuously contentious issue of identity -- American, ethnic, soc...
The 2019 art season begins with a week of several particularly intriguing exhibition openings and the final days of equally intriguing exhibitions. Because of t...
The title of Corrina Sephora’s full-gallery installation Between the Deep Blue Sea and the Universe implies a passage from the mythic depths to the farthest rea...
The waning weeks of the year, a time when some of us feel inclined to contemplate the world’s biggest issues, coincide in Atlanta with the final days of four sh...
Threshold, at Whitespace through December 1, is Tommy Taylor’s latest expedition into the realm of the divided self. On a literal level, this series of painting...
Atlanta-based curator Dorothy Moye has long been noted for her exhibitions combining Atlanta artists with noted national figures. Transformers: Artistic Alchemy...
In Grass Roots at Day & Night Projects through October 27, Steven L. Anderson has used the gracefully entangled form of roots as a basic shape with which t...
