Early in my writing career, I heard the maxim that in the South, artists can spend their whole career emerging. Midcareer artists who, by choice or accident, do...
New galleries -- commercial, nonprofit, DIY or pop-up hybrids -- have been emerging regularly the past few years, but there's been a significant upsurge lately ...
Painter and sculptor extraordinaire Ruth Laxson was known to the Atlanta art world for two reasons beyond her internationally collected artist’s books: for begi...
Several exhibitions present art in natural settings this month. Several more present images of nature in a gallery, so the time is ripe for another go-round wit...
One of the most intriguing points of the new European Masterworks: The Phillips Collection at the High Museum of Art is its installation. It uses the unconventi...
The stunning gold-leafed spectacle and deeply poetic work in Donna Mintz’s Ex Astris, at Sandler Hudson Gallery through May 4, recalls great moments of art hist...
The birth bicentenary of British art critic John Ruskin (1819–1900) reminds me of his thoroughly debatable -- most would say outdated -- belief that increasing ...
Don Cooper’s The Tipping Point and Neutral Gray No. 6, at Sandler Hudson Gallery through March 16, is quite accurately named, for it marks a remarkable tipping ...
Chastain Arts Gallery describes the two-person I Am Both (through March 9) as being about the “ideas and themes of duality, of systems that bridge personal and ...
Without anyone planning it, several exhibitions in Atlanta museums and galleries address the continuously contentious issue of identity -- American, ethnic, soc...
