In the style of New York City’s popular Fall for Dance Festival held annually at City Center (now entering its 16th season), Atlanta’s fourth biennial Off the E...
It’s a balancing act -- to produce a contemporary dance festival in a city as restless and multifaceted as Atlanta. In the city’s ever-shifting dance landscape,...
In 2012, then-Atlanta Ballet artistic director John McFall announced a three-year partnership with Israeli choreographer Ohad Naharin in an effort to modernize ...
For a century and a half, a handful of Russian classical ballets have been staged, restaged, reworked and reimagined. A testament to the staying power of aristo...
Make no mistake: the tides have shifted at Atlanta Ballet. Since Gennadi Nedvigin, a celebrated dancer with San Francisco Ballet, took the reins from 21-year ve...
“O Fortuna,” the iconic opening and closing section of Carl Orff’s "Carmina Burana," is huge. Not Trump-speak “huge,” but huge in the way of crushing tsunamis, ...
In a final tribute to John McFall’s 21-year legacy as Atlanta Ballet’s artistic director, the company’s 2015-16 season closed with MAYhem: Kissed, a triple bill...
Five years after its much-anticipated world premiere, Twyla Tharp’s The Princess and the Goblin has returned home. Created for Atlanta Ballet in 2012 and co-com...
Atlanta Ballet's Kiara Felder (left to right), Alexandre Barros, Nadia Mara and Benjamin Stone in "Boiling Point." (Photos by Charlie McCullers)
Now nearing t...
Here’s an impossible question: How does one design a two-day contemporary dance festival that is both palatable enough to hook would-be patrons and innovative e...
