Director’s Choice, Atlanta Ballet’s season closer performed last weekend at the Cobb Energy Performing Arts Centre, featured three works of pure ballet -- Kiyon...
Youngish choreographers, new and established, will bring three works to the Cobb Energy Performing Arts Centre this weekend in Atlanta Ballet’s season closer, D...
In the style of New York City’s popular Fall for Dance Festival held annually at City Center (now entering its 16th season), Atlanta’s fourth biennial Off the E...
It’s a balancing act -- to produce a contemporary dance festival in a city as restless and multifaceted as Atlanta. In the city’s ever-shifting dance landscape,...
In 2012, then-Atlanta Ballet artistic director John McFall announced a three-year partnership with Israeli choreographer Ohad Naharin in an effort to modernize ...
For a century and a half, a handful of Russian classical ballets have been staged, restaged, reworked and reimagined. A testament to the staying power of aristo...
Make no mistake: the tides have shifted at Atlanta Ballet. Since Gennadi Nedvigin, a celebrated dancer with San Francisco Ballet, took the reins from 21-year ve...
“O Fortuna,” the iconic opening and closing section of Carl Orff’s "Carmina Burana," is huge. Not Trump-speak “huge,” but huge in the way of crushing tsunamis, ...
In a final tribute to John McFall’s 21-year legacy as Atlanta Ballet’s artistic director, the company’s 2015-16 season closed with MAYhem: Kissed, a triple bill...
Five years after its much-anticipated world premiere, Twyla Tharp’s The Princess and the Goblin has returned home. Created for Atlanta Ballet in 2012 and co-com...
