Beginning next September, Atlanta Ballet’s 90th-anniversary season promises impressive variety, with nods to the company’s rich history and a turn toward divers...
It’s a story of survival – not just for animals on the West African savanna but also for a multicultural ballet company preparing to celebrate, in 2020, three d...
Three distinct Atlanta voices -- plus a New York-based company that’s making waves nationally -- appeared in last Friday evening’s double feature at the Westsid...
On a bare, shadowy stage, a man and a woman move in silence, save sounds of their breathing, their bodies making contact and their feet shuffling and pivoting o...
In the sun-soaked foyer of Atlanta’s National Center for Civil and Human Rights, a tall, lean young man guided about 40 dance students last month as they learne...
Some experiences in the theater resonate so deeply that it’s best to leave writing about them to the poets.
Such was the experience Niv Sheinfeld and Oren La...
A man and a woman, dressed in b-boy and b-girl gear, face off on an open stage. He straightens his arms toward her, clapping a forceful pulse. She claps on the ...
Last spring, Atlanta Ballet performed Swan Lake’s third act, with its lively character dances and devilishly difficult Black Swan pas de deux. In the fall, The ...
Juel D. Lane’s style and grace have long had the power to melt away stereotypes -- particularly of men who happen to be black and gay. In his latest work, The M...
Special effects loom large with Atlanta Ballet’s new production of The Nutcracker. Images span from elaborate clockwork machinations to books that swirl through...
