The Atlanta Symphony Orchestra’s second recording on its ASO Media label -- Christopher Theofanidis’ Symphony No. 1 and Peter Lieberson’s “Neruda Songs” -- make...
Amber Boardman is a painter with rarefied insights into classical music. As a teenager in the 1990s, she started living in the home of Yoel Levi and his family ...
About 15 minutes into the final piece in a 10-hour marathon, the musicians on stage seemed in a trance, not from exhaustion but from elation, repeating their mo...
Concerts have become about community. You love the music, sure, but you can get that from CDs or off the Internet and listen in private, on your own time.
Inst...
He says: “She ignored me till I got the job in San Francisco!”
She shoots back: “That’s not true! ... But we tried not to talk about it, although it was the el...
In our modern à go-go view of Shakespeare, where almost every element of the plays can be extended beyond the specific and treated as a universal, it’s no big d...
From New York to Berlin, orchestras increasingly offer semi-staged productions of opera and theatrical works as part of their classical season. In the past few ...
A few months ago, it was touch and go whether the Atlanta Symphony Orchestra would reach its goal of performing 10 new fanfares across the 2010-11 season, commi...
A month before the world premiere of James Oliverio’s “Dynasty” Double Timpani Concerto, Paul and Mark Yancich are in a rehearsal hall at Emory University, faci...
The Atlanta Baroque Orchestra has returned to splendid form. Since the abrupt retirement of John Hsu as its energizing conductor, the period-instrument group ha...
