Cullum’s July Notebook: Disparate parts make a whole at Hathaway
Early in my writing career, I heard the maxim that in the South, artists can spend their whole career emerging. Midcareer artists who, by choice or accident, don’t fit into an easy-to-understand niche can experience undeserved obscurity even more. As a past dean of Maine’s globally famous Skowhegan School of Painting and Sculpture and now…
