In Out Front Theatre Company’s La Cage aux Folles (through November 9), audiences meet a reimagined nuclear family. Just like in many traditional homes, there’s...
A vulnerable elderly woman. A stranger with a past. A secret hat box glued shut to keep prying hands out. These are some of the tropes that pop up in the Georgi...
Our 20 by 2020 series will profile 20 theater artists, administrators and innovators by the end of the year. All are shaking up the city’s stages. This is no. 1...
Turn on TV or the radio, scroll through any newsfeed, and it’s hard not find a story about who’s to blame for America's opioid epidemic. Is it big pharma for ma...
Stripped largely of their ability to communicate with each other via words, the characters in Small Mouth Sounds must find alternate ways to connect. A new prod...
Founder and executive director Vincent Anthony is retiring from the Center for Puppetry Arts on December 31, and a national search for his successor is already ...
Editor’s note: In 2012, the Goat Farm Arts Center was still a fledging artists community in a hip but hardly glamorous area on the Westside. ArtsATL cofounder a...
Some girls just wanna have wicked fun. So it is with playwright Erica Schmidt’s all-female Mac | Beth, her darkly entertaining, contemporary adaptation of Shake...
True Colors Theatre Company has staged all three parts of playwright Dominique Morisseau's Detroit Trilogy. Its Paradise Blue, set in a 1940s blues club, runs t...
In Found Stages’ Frankenstein’s Funeral, audiences take a one-of-a-kind interactive journey into the mind of novelist Mary Shelley. The company, which has been ...
