When David Driskell: Icons of Nature and History opens Saturday at the High Museum of Art, the tightly curated survey will offer a broad overview of the painter...
Historically and contemporarily, the Black narrative speaks loudly. There’s a powerful testament of humanity, erasure and loss throughout Strange Fruit, the lat...
The virtual exhibition Strange Fruit continues through December 10 at September Gray Fine Art Gallery with work by Àsìkò, Paul S. Briggs and Okeeba Jubalo. Àsìk...
Black Politics Act One, featuring new work from Afro-French painter Frank Schroeder, opens Friday at September Gray Fine Art Gallery. These paintings, being see...
Jamele Wright Sr. is a son of America’s Great Migration in the 20th century, coming of age in both the South and the North. In Atlanta, where he settled, he’s m...
I recently visited September Gray’s Old Fourth Ward location — a relatively new addition to Atlanta’s gallery scene — on a sunny afternoon to see Lillian Blades’ Fractal Reflections (on view through October 21). I had the good fortune of running into the artist herself, who was manning the gallery and playing upbeat music as she worked on a new piece. Blades, a native of Nassau, Bahamas, and a longtime resident of Atlanta, offered to turn the music off, but I declined. It was pleasant and energetic, much like her collection of wall hangings....
