Don Cooper’s The Tipping Point and Neutral Gray No. 6, at Sandler Hudson Gallery through March 16, is quite accurately named, for it marks a remarkable tipping ...
In the 1990s and early 2000s, prolific Atlanta artist Alex Brewer came as close as anyone ever has to achieving that holy grail of graffiti artists, “all-city s...
Krista Clark’s new work Plotting the Other Side temporarily occupies a tiny, interstitial space at the Atlanta Contemporary Art Center. The work’s quiet activat...
It is nothing new that the photograph is a “commodified symbol of desire that can be easily altered to control belief, experience, and communication.” And yes, it is hard to argue with the claims P. Seth Thompson makes in his artist statement concerning the power of the image in shaping ideology and our current “era where objective reasoning is overshadowed by ‘alternative facts.’”...
Maggie Davis’ show The Fourth Wall, up at Sandler Hudson through Saturday, January 28, couldn’t be more timely. The country seems to be in the full-swing of a f...
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Though linked by technical skill and attention to detail, the work of Elizabeth Lide and Elizabeth Sheppell, on view at Sandler Hudson Gallery through February ...
We are currently blessed with the opportunity to reflect on the different strategies of veteran Georgia artists who have long since established a signature styl...
