In 1942, Albert Camus published The Myth of Sisyphus. Against the backdrop of World War II, the Algerian philosopher presents suicide as the foremost philosophi...
In 1966, Yoko Ono installed a work that required viewers to climb a ladder and use a magnifying glass to find a tiny YES (it was, incidentally, John Lennon’s in...
I first met Canada-born, Atlanta-based Leisa Rich in November 2018 when she exhibited at Piedmont College, where I work. Her colorful, fiber-based art and dedic...
MOCA GA’s biennial group exhibition, Gathered IV: Georgia Artists Selecting Georgia Artists, features 47 works by 38 artists from more than 330 submissions. Cho...
Deanna Sirlin’s Variation, an exhibition of 16 new works at Alpharetta Arts Center, is a riot of color and light.
The exhibition, on view through April 26, i...
“Contemporariness inscribes itself in the present by marking it above all as archaic.” Lifted from philosopher Giorgio Agamben’s essay What Is the Contemporary?...
Rich Gere and Dayna Thacker’s Smoke, Mirrors, on view at Marcia Wood Gallery through September 9, borrows its title from an old idiom that implies deception and...
Part three of Poem 88’s summer Correspondences series, Judy Henson: Swift Creek, pays homage to the art and culture of indigenous Americans from our region....
