The most noteworthy thing about "Dralion," the new Cirque du Soleil production in Atlanta, isn’t what it is so much as where it is. For 20 years the Cirque trou...
“The Negro Motorist Green Book” is a historical footnote that tells much about an era. First published in 1936 and updated regularly for almost 30 years, it was...
“Doors and sardines -- that’s what it’s all about,” director Lloyd Dallas (Chris Kayser) tells his cast of fifth-rate actors as they struggle through their dres...
Funny thing about George Dawes Green. He’s a best-selling, Edgar Award-winning novelist -- author of “The Caveman’s Valentine,” “The Juror” and “Ravens” -- but ...
It’s been almost seven years since Diana DeGarmo, then a Snellville teenager, lit up “American Idol,” a popular television singing competition. She has extended...
A young man leaves his humdrum life in the real world to enroll in a school for magicians, where he learns spell casting and has many adventures. But the protag...
To fans of the late John Kennedy Toole’s great Southern comic novel “A Confederacy of Dunces,” Ignatius J. Reilly needs no introduction. He is, as Walker Percy ...
Feed your head, indeed. “Lookingglass Alice,” a surreal version of Lewis Carroll’s evergreen “Alice in Wonderland” books that is playing at the Alliance Theatre...
Thornton Wilder’s “Our Town” has been presented, and perceived, as an exercise in folksy nostalgia, a comfortably configured time machine back to a simpler era ...
Suddenly, a cappella is hella cool. Credit the TV hit “Glee,” with its gloriously over-produced high school glee club numbers, which more or less begat NBC’s re...
