Artists as diverse as octogenarian photographer Lucinda Bunnen and 40ish multidisciplinarian Shanequa Gay popped up in headlines about Atlanta's Art + Design sc...
Editor’s note: In celebration of our 10th anniversary, each week we will republish a story from our archives that sparked strong reaction from readers, showcase...
The oldest relic at the Michael C. Carlos Museum is a called a Mother Figurine. The nude with simple facial features, rounded breasts and thighs stands a smidge...
Curator Ruth Allen
The Michael C. Carlos Museum at Emory University has hired scholar Ruth Allen as its next curator of Greek and Roman art. She begins wo...
A large and rare collection of ancient Egyptian and Near Eastern art is coming to the Michael C. Carlos Museum at Emory University. It's here, actually, but mus...
Poet Opal Moore and I recently visited the Fahamu Pecou exhibition, DO or DIE: Affect, Ritual, Resistance, at Emory University’s Michael C. Carlos Museum. The s...
The Emory Chamber Music Society of Atlanta kicked off its 2018–19 season on Friday with a noontime recital by violist Yinzi Kong and pianist William Ransom at t...
As any cat lover can tell you, felines are divine.
Ancient Egyptians took that notion even more seriously than pet owners of today, and a charming new exhibit...
Mike Germon’s artist talk for Almagest on Saturday, February 10, at 2 p.m. at Whitespec (the project space at Whitespace) will bring to a satisfying close one o...
Any avid Target shopper is sure to have heard of Michael Graves--his name adorns kitchenware spanning from tea kettles to toasters. But before he became well known for designing consumer goods, Michael Graves rose to prominence as an architect and most prominent practitioners of postmodernism, his buildings became distinctive statements in cities across the country known for their use of crazy imagery and geometry....
