A day or two after my phone interview with Amber Boardman last week, I found myself hurriedly walking out the door of my apartment, doomed to be 10-minutes late for my next meeting, barefaced and wrinkled. In the rearview on my way into the city, I noticed an absurd smeared pattern on my eyelid -- nothing like some poorly applied mascara to bring you back to earth....
Dear Readers,
Photo by Brandon Barr.
When I came on board as Executive Editor in January 2016, Susannah Darrow and I had an incredible vision for ArtsATL. W...
It was 2014 when the Goat Farm announced they’d be taking a year off of programming in order to reassess their approach of invigorating Atlanta’s arts community. What came of those reflections was The Beacons project....
Mercy seems like one of those virtues we’ll always be in reach of but never quite attain. Is it a concept that something we’ve lost sight of and, in turn, grown...
Photos by Ethan Payne
According to MediaFinder.com, the largest online database of U.S. and Canadian publications, 2008 and 2009 were hard years for the magazin...
The comedic charm of Elizabeth McKenzie’s The Portable Veblen is completely disarming and is one of the things that make the book so incredibly effective....
“Hell hath no fury like a woman scorned,” they say. But what of a woman silenced?
A character keeps emerging in our literature -- a woman caught under the thumb of society, trapped in the roles prescribed to her by the men who dictate the rules....
