Nautical imagery has always been a staple of the aura of Mastodon, dating all the way back to the group’s sophomore splash, 2004’s Moby Dick-themed Leviathan al...
Closer to Home, the 11th release from the Atlanta-based musical collective Sensitive Chaos, finds bandleader Jim Combs and his smorgasbord of collaborators once...
Certain bands have the remarkable ability to sound avant-garde and deeply nostalgic in the same breath. The jazz-influenced singer-songwriter stylings of Steely...
The waning weeks of Robert Spano’s tenure as Atlanta Symphony Orchestra music director found him returning to the podium after a flurry of guest conductors. His...
In any artistic medium there are structural conventions that develop naturally over time, often passed intuitively from one generation of creatives to the next,...
The Atlanta Symphony Orchestra’s webcast performance on Thursday evening was a deck stacked precariously high against its performers: the labyrinthine intricacy...
If there's a silver lining to the COVID-19 pandemic, it's in the many works of art this strange, nebulous time in our culture has inspired. Indeed, large-scale ...
It's commendable that the Atlanta Symphony Orchestra seeks to showcase the new and avant-garde. Such initiative is crucial for any symphonic ensemble that wishe...
One day concert reviews won't begin with a mention of COVID-19. Until then we must adapt, as we did Sunday (November 15) when the Georgian Chamber Players gave ...
Atlanta avant-garde composer Klimchak looms large in the city’s New Music scene. His unorthodox process and boundless creativity are on full display in Six Feet...
