In any artistic medium there are structural conventions that develop naturally over time, often passed intuitively from one generation of creatives to the next,...
The Atlanta Symphony Orchestra’s webcast performance on Thursday evening was a deck stacked precariously high against its performers: the labyrinthine intricacy...
If there's a silver lining to the COVID-19 pandemic, it's in the many works of art this strange, nebulous time in our culture has inspired. Indeed, large-scale ...
It's commendable that the Atlanta Symphony Orchestra seeks to showcase the new and avant-garde. Such initiative is crucial for any symphonic ensemble that wishe...
One day concert reviews won't begin with a mention of COVID-19. Until then we must adapt, as we did Sunday (November 15) when the Georgian Chamber Players gave ...
Atlanta avant-garde composer Klimchak looms large in the city’s New Music scene. His unorthodox process and boundless creativity are on full display in Six Feet...
Ralph Vaughan Williams is easily among the most accessible of classical composers. He gracefully straddles the gap between the stern intensity of Johannes Brahm...
If Atlanta Symphony Orchestra Music Director Robert Spano deserves commendation for one thing, it's his singular commitment to bringing modern composers to the ...
The Rolling Stones have always had a paradoxical relationship with classical music. Their garish sound and rapscallion image entered the rock ‘n’ roll lexicon a...
The Vega String Quartet convened at the Schwartz Center for Performing Arts on Saturday for an evening of works by Franz Joseph Haydn, Ludwig van Beethoven and ...
