Curated by Kirstin Mitchell, the seven-artist exhibition Ego Te Absolvo is the inaugural exhibition (through December 11) at Eyedrum Art & Music Gallery's n...
At Poem 88 through October 30, Angel of the Industrial Park is Hannah Tarr’s first solo show since her graduation from Rhode Island School of Design a decade ag...
Regular readers of this Notebook know that I am enamored of the outdated conceptual duo of nature and culture, which are not quite the opposite terms that the o...
Lisa Tuttle’s Postcolonial Karma, at the City of Atlanta’s Gallery 72 through at least November 30, is an investigation of historical blindness that begins with...
At Atlanta Contemporary through January 9, 2022, Inward, Outward, Forward may well be the Lucinda Bunnen show we and she have most needed. It has become almost ...
The dislocations of the successive waves of the pandemic have led to an interesting mash-up (if I may be permitted an antiquated idiom) of fragments of the Deca...
The other day, I was fortunate enough to attend a three-hour art exhibition staged in a public place, but nevertheless presented under conditions in which it wa...
Spalding Nix Fine Art has promoted its “Out of the Ordinary” exhibition, on view through September 10, in terms of the Gestalt psychology of perception and othe...
The three exhibitions at whitespace and the adjacent whitespec and shedspace through September 4 offer the best possible combination for this difficult August -...
“Alluvium,” the title of David Robinson’s solo exhibition of ceramic wall sculptures -- at Poem 88 through August 14 -- is the name of the deposits left behind ...
