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Review: gloatl brings thoughtful provoking movement to Arsham’s object-centered world

The High Museum of Atlanta commissioned local choreographer Lauri Stallings of gloatl to create movement pieces (“activations” -- not dance) for installations to accompany New York artist Daniel Arsham’s Hourglass (through May 21). The choreography composed for two of the three room-filling works is a seamless interaction, rather than an overlay of dance atop space. Or, more accurately, the two dancers and the artwork exist in the same world....