Editor’s note: Atlanta’s artists face uncertainty in the age of coronavirus. To help us all connect, we're offering this series. In each “In Our Own Words” post...
A lonely mother of two meets a down-on-his luck comic. That’s the premise of International Falls, which, with its snowy, small-town Minnesota setting and thick ...
Crystal Fox’s role in the new film Burden isn’t a large one -- or, frankly, one that’s a tremendous challenge. Yet just as she’s done for the past four decades,...
It’s hard to pinpoint exactly why The Banker --“inspired” by a true story and shot in Atlanta -- feels so uninvolving. Opening today (March 6) at the Plaza Thea...
Ever since the Coen Brothers seemed to spring full-born from the head of an under-worshipped Hollywood god, delivering their no-budget black gem Blood Simple (1...
The title of Seana Reilly and Morgan Alexander’s paper kites / uncertain sky (at Whitespace through March 14) suggests fragile objects carried aloft in changeab...
When the American Jewish Committee launched the Atlanta Jewish Film Festival in 2000, even those who supported the idea questioned whether it had a future.
“...
As the sun sets on a warm February day, people alone and in groups walk down historic Auburn Avenue, up some stairs and into a large building with a brick-and-g...
Writer-director Destin Daniel Cretton’s films share a common tone -- humane, socially progressive, thoughtful and, well, a bit dull. They’re earnest to a fault....
