The syncopated rhythms of African American social dances, sacred music and American jazz are threaded throughout Heart/Beat: Gospel, Brubeck and Rhythms of the ...
In many ways, 2019 in Atlanta’s dance world was the culmination of forces that have been building the entire decade. Atlanta Ballet took its highly praised new ...
To carry an artistic legacy forward can be a burden for some and an inspiration for others. Societal expectations can all but crush a person’s creative spark, b...
In a dark interior space, dancers reached to embrace one another but stopped short, as if yearning to love but holding back, their quivering stillness prolongin...
At the heart of Vespertine, the first piece to open Atlanta Ballet's 90th anniversary season last Friday, Jacob Bush and Dylan Clinard danced a telling duet. Ba...
Dressed in white, 13 men whirled hypnotically like dervishes, spun on their head like B-boys and then dove into the arms of fellow performers with a visceral se...
The pedestrian crosswalk at East Point Street and Dorsey Avenue is clearly marked. Two and a half years ago, Omelika Kuumba stepped inside the painted lines at ...
Sue Schroeder, artistic director of Core Dance, recently brought her contemporary dance company to an art and design center in La Cuisine, France -- a relativel...
When people face life’s most difficult challenges, there’s always a ridiculous moment that reveals the absurdity of the situation, dance artist Ana Maria Lucaci...
Thursday and Friday will mark Atlanta-based choreographer Juel D. Lane’s second New York premiere, when Dallas Black Dance Theatre performs Lane’s How to Kill a...
