Arturo Jacobus, president and CEO of Atlanta Ballet, considered retiring early last year. But with the onset of the COVID-19 pandemic, he became determined to s...
Like most performing arts organizations, the pandemic has posed unprecedented challenges for The Georgia Ballet. And yet, with last weekend’s modest program Lov...
ArtsATL is pleased to announce that four of its primary and long-term writers have been named editors-at-large: Cynthia Bond Perry, Jim Farmer, Gail O’Neill and...
Nadia Mara, a multidimensional dancer of delicate precision and deep expressiveness, is leaving Atlanta Ballet. After 15 years of soulful performances that made...
The syncopated rhythms of African American social dances, sacred music and American jazz are threaded throughout Heart/Beat: Gospel, Brubeck and Rhythms of the ...
In many ways, 2019 in Atlanta’s dance world was the culmination of forces that have been building the entire decade. Atlanta Ballet took its highly praised new ...
To carry an artistic legacy forward can be a burden for some and an inspiration for others. Societal expectations can all but crush a person’s creative spark, b...
In a dark interior space, dancers reached to embrace one another but stopped short, as if yearning to love but holding back, their quivering stillness prolongin...
At the heart of Vespertine, the first piece to open Atlanta Ballet's 90th anniversary season last Friday, Jacob Bush and Dylan Clinard danced a telling duet. Ba...
Dressed in white, 13 men whirled hypnotically like dervishes, spun on their head like B-boys and then dove into the arms of fellow performers with a visceral se...
