Physically, we’re in one place and every day I’m Zooming into meetings in Atlanta. Like many people, it’s kind of a strange hybrid of physical and virtual exis...
Editor’s note: Atlanta’s artists face uncertainty in the age of coronavirus. To help us all connect, we’re offering this series. In each “In Our Own Words,” an ...
Editor’s note: Atlanta’s artists face uncertainty in the age of coronavirus. To help us all connect, we’re offering this series. In each “In Our Own Words” post...
Editor’s note: Atlanta’s artists face uncertainty in the age of coronavirus. To help us all connect, we're offering this series. In each “In Our Own Words” post...
Every season, American Theatre magazine, a national trade publication, crunches the numbers to determine the most-produced plays and playwrights of the year. We...
Our 20 by 2020 series will profile 20 theater artists, administrators and innovators by the end of the year. All are shaking up the city’s stages. This is no. 1...
True Colors Theatre Company has staged all three parts of playwright Dominique Morisseau's Detroit Trilogy. Its Paradise Blue, set in a 1940s blues club, runs t...
On paper, Skintight sounds like it might be racy and one-note. Onstage at Actor's Express, the comedy, featuring the talents of longtime Atlanta actors Chris Ka...
Themes such as death, remorse, jealousy and forgiveness run heavily through Arís Theatre’s new drama, Woman and Scarecrow, a talky, elegiac drama by Irish playw...
The Laramie Project is one of those rare moments in the theater where -- if you're very, very lucky -- you see a company catch lightning in a bottle. This piece...
