This was a remarkable year on the Atlanta art scene. From a total rethink of the High Museum’s permanent collection to the scrappy, ever-evolving Eyedrum celebr...
Rummage through any thrift store and you'll probably come across an old spiral-bound community cookbook a lot like The Magnolia Bayou Country Club Ladies Auxili...
Couldn't get tickets to the sold-out blockbuster exhibition Yayoi Kusama: Infinity Mirrors at the High Museum? Or maybe the thought of standing in long lines du...
A strong cast couldn’t help me muster much interest or enthusiasm for the 1996 play This is Our Youth, onstage at Pinch ‘N’ Ouch Theatre through December 22. Af...
Complaining that Irving Berlin’s White Christmas is too old-fashioned is a bit like complaining that a swim in the ocean is too wet. Just as the ocean can relia...
Money isn’t just something you spend, and it isn’t just about dead presidents. “Money is a source of history,” says Georgia State University history professor H...
Ask any great cook how they make a dish, and the answer is often frustratingly imprecise. “I add enough of everything. I stir until it looks right, and then I c...
In just four years, Okwae A. Miller has quickly established himself as a prominent voice in the Atlanta dance community, rooting his athletic movement with rese...
You can probably trace the origins of a lot of comic books to a basement room somewhere. Usually, it’s kids gathering to do the dreaming and plotting in a downs...
Dry land may sound like a safe place to be, but in Ruby Rae Spiegel’s 2014 play of that name, standing on dry land is far more fraught and perilous than immersi...