Update, 3:11 p.m.: Impossible to listen and walk around and type during the presentation, but basically the new 25-year master plan involves many of the element...
In 1910, downtown Atlanta's First Congregational Church of Christ launched what was then called the Atlanta Colored Music Festival, a program involving black an...
By RONALD BROUN
Blake's perception of "the universe in a grain of sand, and heaven in a wildflower" applies equally to Bach's Two- and Three-Part Inventions --...
Former Atlanta Symphony Orchestra music director Yoel Levi doesn't have much opera under his belt, relatively speaking, but he's making up for it at the Atlanta...
By RONALD BROUN
"Tangos, Fados and Dance!" Miguel Harth-Bedoya conducting the ASO. Luciana Souza, mezzo-soprano and percussion; Scott Tennant, guitar; Rosa Col...
For better and worse, Charleston's Spoleto Festival USA won't be the same without pianist Charles Wadsworth, director of the its chamber music series (and the m...
For its June issue last year, the British magazine Gramophone gathered a clutch of composers and put Osvaldo Golijov front and -- before you opened the fold-out...
Spivey Hall, the 400-seat jewelbox recital hall about 20 miles south of Atlanta, is justly famous for its near-perfect acoustics and, on stage, for its artistic...
When he led the ASO Chorus, Robert Shaw shared his thoughts in "letters" to his singers. Many of these were collected in "The Robert Shaw Reader" (Yale Univ. Pr...
Violinist Olga Shpitko and harpsichordist Peter Marshall, two Atlanta Symphony musicians, offered an excellent 'early-music' program Sunday afternoon. The whole...
