For the third time, the world premiere of Wynton Marsalis' "Blues Symphony" has been postponed. Booked by the Atlanta Symphony Orchestra for summer 2008, then ...
The New York Times' Allan Kozinn, a decent fellow and an excellent critic, gives a lukewarm, I've-heard-it-all-before-and-better review of the Atlanta Symphony ...
Dude, you're illegally parked outside the new Winspear Opera House in Dallas.
WRR 101.1-FM isn't a public radio NPR station, but one of only a handful of comm...
Johannes Brahms' "A German Requiem" is a secular Mass for the dead based on the Lutheran Bible. Its fifth movement, titled "Ihr habt nun Traurigket" ("And ye no...
If necessity is the mother of invention and collaboration the father, Art à la Carte, a build-your-own-subscription service among four performing arts organizat...
By the conventions of the classical music biz, pianist Christopher O'Riley wears three distinct hats -- as a touring virtuoso of the standard repertoire, as hos...
A decade ago, Ronald Reagan's official biographer, Edmund Morris, published his well-researched account of the president's life in a book called "Dutch." It sho...
Atlanta Opera opened its 30th season with Gaetano Donizetti's "L'elisir d'amore," an 1832 screwball comedy about a feckless young man who dunders his way throug...
Richard Rambuss, chairman of Emory University's English Department, puts the matter in simple terms: "Everyone knows that Robert Spano is a cutting-edge figure ...
In a move first reported by ArtsCriticATL.com, Atlanta Symphony Orchestra President and CEO Allison Vulgamore will leave the ASO to take the top job wit...
