Before Sonic Generator fired up the amplifiers and laptops for a show called "The Body Machine," a performance of way-cool classical music in the High Museum's ...
The venue matters more in music than in the other arts. That has posed a dilemma for Sonic Generator, an Atlanta's new-music ensemble exploring the high-tech ed...
Paul Hogle, the ASO's chief fund-raiser, a veteran of the business, sent this email earlier today. With remarkably little spin, it tells a story that's making t...
Just before intermission during the Lincoln Center Jazz Orchestra's Saturday night performance at Symphony Hall, saxophonist Ted Nash and trumpeter Marcus Print...
In the first tune on organist Matthew Kaminski's debut recording as a leader -- "Taking My Time" (Summit/Chicken Coup Records) -- frothy organ notes bubble in t...
Gordon Vernick, coordinator of jazz studies at Georgia State University, is a bonding agent for the Atlanta jazz scene. Three years ago, the trumpeter hatched t...
On the way to Symphony Hall on Wednesday, I ran into Reid Harris, the Atlanta Symphony Orchestra's principal violist, standing in line at a coffee shop. How was...
Emory University is hosting a symposium on the future of arts criticism. Cathy and I will participate. The starting premise seems to be this: we have slipped un...
Bent Frequency has been seeking out classical music's theatrically comic and absurdist edge. The band recently paired up with Frequent Small Meals, an organizat...
At their best, jazz festivals gather a roster of international talent for a weekend of musicmaking, creating a crucible for collaborations among musicians who d...
