In “The Art of the Steal,” filmmaker Don Argott makes the case that Philadelphia’s power elite ran roughshod over the will of inventor Albert C. Barnes and his ...
A mama’s love is an elemental force in “Mother,” the latest from South Korea’s Joon-ho Bong in the wake of his wiggy, wonderful toxic-monster thriller “The Host...
Emory University is hosting a symposium on the future of arts criticism. Cathy and I will participate. The starting premise seems to be this: we have slipped un...
In the sweetest emotional exchange in "Fish Tank," a girl throws her arms around her big sister and sobs, “I hate you.”
“I hate you, too,” replies Mia (Katie J...
One longtime criticism about the yearly Oscar donkey race is this: How can voters fairly compare the performance of, say, Actress A (who’s nominated for playing...
UPDATE, February 24: Bent Frequency percussionist Stuart Gerber has let us know that the snowed-out program is rescheduled for Tuesday, March 2, 2010, at 8 p.m....
Staring down the prospect of drastic budget cuts proposed by Gov. Sonny Perdue, the Georgia Council for the Arts has proactively reduced staff, cut programs and...
Claire Denis' “35 Shots of Rum” is the sort of movie that adventurous film lovers will feel almost required to love, so as not to appear too unhip to appreciate...
It was called the house that Quentin Tarantino built and was named for its owners’ parents, Max and Miriam. Now, after decades of delivering some of the world’s...
Tonight's Film Love event, "Open to You," features classic early video works by the pioneering artist Vito Acconci. Curator Andy Ditzler will introduce the work...
