Editor's note: This review was written after the writer experienced the "Paa Joe: Gates of No Return" exhibition virtually in the early weeks of the Covid-19 pa...
Journey of a Black Girl, a large-scale public art exhibition presented by Art on the BeltLine, is the newest addition to the Southside Trail. Sort of. The multi...
On a small plinth, tucked in the corner of the gallery space, is a wooden box full of folded notes and pencils. Handwritten on a slip of paper is the invitation...
How do we enter a conversation on the intersections of migrant identity? For artist Cosmo Whyte, the way in is sensory and experiential. Whyte, who was born in ...
Dreams River at Marcia Wood Gallery, a small show featuring Savannah artist Marcus Kenney’s assemblage sculptures, bears a tremendous weight. What makes the scu...
One recent Saturday, Atlanta’s ArtsXchange held a costume celebration called Renaissance: Harlem South. The fundraiser celebrated the cultural contributions of ...
Art is a technology. It has the power to give a visual language to the natural phenomenon that we experience but cannot quite comprehend or explain. Mildred Tho...
Frida Kahlo was born July 6, 1907, in Coyoacán, Mexico, a village on the outskirts of Mexico City. She began painting 18 years later, when a nearly fatal bus ac...
The title Home Movies evokes the magic of nostalgia and the raw reality of American life in Chris Verene's small exhibition at Marcia Wood Gallery (through Octo...
The work alone is illegible, and that may be the point.
If you're familiar with Atlanta artist Myra Greene’s practice, you'll be prepared for her subtle visu...
