For its 25th-anniversary production, “Les Miserables” has been given a major makeover. Out with the old: the large revolving turntable that slowly spun the ch...
Twelve years in the making, scheduled and canceled, recast and rewritten, the high-stakes, high-profile “Ghost Brothers of Darkland County” might possibly be ...
(Editor's note: "Clyde 'n Bonnie: A Folktale" is now extended through April 15.)
“When the legend becomes fact, print the legend,” everybody’s favorite quote...
One of the cardinal rules of show biz, “Always leave them wanting more,” has been attributed to Walt Disney, P.T. Barnum and Gypsy Rose Lee, and Google seems ...
In the broad farce "The Foreigner" at Georgia Ensemble Theatre,
Hugh Adams (shown with Tracy Vaden Moore) plays a pathologically
shy British proofreader who p...
Sketch comedy, pretty much by definition, is uneven. Even the classics -- “Monty Python’s Flying Circus,” “In Living Color” -- had their share of clun...
The rich soil around Memphis yielded fertile fields of cotton for decades. And the city’s rich stew of Southern cultures -- black rhythm and blues, hillbilly...
It’s been a transformative year for young Aurora Florence. In May, she was still a musical theater undergraduate at Brigham Young University. By September, she ...
“I’m at the end of my stories,” Golda Meir says at the very beginning of “Golda’s Balcony.” But of course she is not, and for 90 minutes the stories pour forth:...
If you’re not squirming while watching Janece Shaffer’s new play “Broke,” you’re not paying attention, either to the drama itself, the world outside or both. In...
