Decades before Joseph Tetteh-Ashong’s work was classified as fine art, the 73-year-old master craftsman from Ghana, affectionately known as Paa Joe, was regarde...
Demographics aren't particularly sexy, but the High Museum of Art is using them to envision its future and what its audience will look like. That's led to the c...
NOTE: The closing reception was changed after this piece published. It's now at 2 p.m. April 11.
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When architect Phill Tabb began pondering retirement, he w...
Shortly after the new year, Louis Corrigan chose Facebook to announce the dissolution of Possible Futures, the nonprofit he founded in 2010 to nurture Atlanta’s...
Steve Inskeep is an award-winning journalist best known as the host of NPR’s Morning Edition. He's also an American history buff and published author whose Jack...
Editor’s note: Our Legacy series in 2017 looked at those in the arts community who have left a lasting footprint. Contributor Gail O’Neill profiled Azira G. Hi...
Editor’s note: As part of our 2018 Legacy series, we looked at individuals in the arts community who've left a lasting footprint. Gail O’Neill profiled Phil Tan...
Ivan Pulinkala was 13 years old when he experienced an epiphany while watching the Paul Taylor Dance Company perform in New Delhi.
Despite growing up in an ...
In military parlance, Atlanta artist Joseph Guay's latest piece -- titled The Cost of War -- was FUBAR (f**ked up beyond all recognition) beyond his control.
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For the second consecutive year, TILA Studios is sending a group of Atlanta-based black women artists to the internationally famous Art Basel Miami Beach, the p...
