“I’m stuck!” Malcolm King shouts in “Broke-ology,” and the promising college graduate knows he’s not alone. He knows that his older brother, Ennis, is stuck jug...
It’s been a long time coming for Horton Foote’s Pulitzer Prize-winning “The Young Man From Atlanta” to make its way to the Atlanta stage, and the elusive nature...
The last major theme of Alfred Hitchcock’s cinema fully present in "The 39 Steps" is theater, writes Marian Keane in her excellent essay on the master director’...
Neil Simon crashes into Greek mythology in Aurora Theatre’s staging of the Deborah Zoe Laufer comedy “Sirens.” And, unfortunately, he nearly sinks it.
In fact,...
There aren’t a lot of reasons to dislike David O. Russell’s “The Fighter.” But the few that exist are scary. No movie that’s bucking for Oscar consideration -- ...
When the Preservation Hall Jazz Band opens its “Creole Christmas” show with Vince Guaraldi’s “Christmas Time Is Here,” the musicians take an already melancholy ...
Has Christmas become so cliché that even the parodies are clichéd?
That was the question that started buzzing around while watching -- and at times, enduring -...
Everything is laid out like one gorgeous spread of Christmas gifts, minus the tree. There’s the all-star cast shifting between featured roles and ensemble chora...
JMichael and Patdro Harris go way back -- not just with each other, but with Langston Hughes’ “Black Nativity,” the gospel-inspired retelling of the birth of Je...
There may be only two Dad’s Garage regulars collaborating with the Second City in “Miracle on 1280 Peachtree Street” -- local favorites Randy Havens and Tara Oc...
