Last night’s Atlanta Symphony Orchestra concert included works that looked back into their own pasts. The Preludes to Acts I and III from Wagner’s opera Lohengr...
Today, we conclude our three-part look at the 2019–20 season in classical music with a focus on Atlanta's bustling chamber and vocal ensemble groups, along with...
Atlanta is a vibrant place for classical music, and the 2019–20 season is no exception.
Last week, we spotlighted the upcoming 75th-anniversary season for t...
Rather than being organized around an overall philosophical theme, Friday’s first concert of the Atlanta Symphony Orchestra’s 75th season was a crowd-pleasing m...
The Atlanta Symphony Orchestra stands at a crossroads in 2019–20. After a two-year-long survey of Beethoven and Bernstein that commemorated Bernstein’s centenni...
The ASO’s performance last night of Beethoven’s opera Fidelio (composed and revised between 1805–14) was a timely meditation on tyranny, love and freedom. It tr...
In another installment of its two-year Beethoven and Bernstein survey, the Atlanta Symphony Orchestra’s concert last night brought together works united by conc...
The ASO’s concert this weekend featured French works inspired by sights and sounds throughout the world. Darius Milhaud’s Le bœuf sur le tout or The Bull on the...
